Every now and again something occurs in my life that makes
me either shake my head or want to shake someone else’s head—often violently --
with the fleeting hope that doing so would magically scramble and reset their questionable
thought process without causing any long term damage. Sometimes I even resort to utilizing Mr.
Tyzik’s tactic, gleefully taking out my frustration on those “flatheads”. Using forced perspective to pinch the heads off
of your adversaries may get you some odd looks my friends but don’t knock it
‘till you try it. Its inherent cathartic
qualities can do wonders. Don’t get me
wrong, I’m not really ready for anger management classes, yet. I’m
lucky enough to say that just being with my 2 ½ year old daughter has done more
to put my life into perspective than anything The Kids in the Hall ever had to offer. She has the light switch to my heart this little
kid.
Now that she’s getting older and more aware of the world
around her, I’m able to share more of what I enjoy with her and see how she
reacts to understanding it. This is her
second season watching, rooting and generally hanging out with me as I go
through the emotional roller coaster that is being a Met fan. Of course this is something I always imagined
doing ever since I could remember watching the Mets with my father as a
child. It’s more than just a rite of
passage or bonding. To me, I’m
imprinting memories of our time together that I hope she’ll keep with her for all
the days of her life. I guess the older
I become, the more cognizant I am that this gift that is life isn’t guaranteed
by age. My father wasn’t even 50 when he
passed. There’s just so much that I want
to show her, teach her, and experience with my daughter that sometimes I have
to be mindful not to overcompensate, she is just a 2 ½ year old and I do plan
on sticking around for a while, God willing.
One of the characteristics she seems to share with me is a
love of reading. Granted she goes from
Elmo to Mickey to Dora the Explorer in a matter of minutes – her attention span
is fickle-- then again so is mine and I’m old so who am I to complain. I’m trying to get into the habit of reading to
her. In fact I’ve already lined up the
books that I want to read to her as she gets older. Of course there will have to be the classics
but I wouldn’t be a proper parent to a young and becoming Met fan if I didn’t
find a way to sneak in Faith and Fear in
Flushing or Total Mets in there,
maybe even The Bad Guys Won just to
keep it fresh and edgy. Don’t worry I’d
censor anything that came out of Dykstra’s mouth—including the chaw. But there’s one genre of literature that I’m
going to introduce to her not because it was one of my favorites. In fact it was my least favorite form of writing because I found it so difficult to
interpret – the world of poetry was never kind to me. But there were always exceptions.
I was never really attracted to poetry growing up. It wasn’t until I was in college and was
lucky enough to have a professor, Mr. Chauncey G. Parker, who taught English
Literature. Mr. Parker was quite the
interesting cat. For one, he worked in
the Lyndon Johnson administration and if I recall, he did some work for the United
Nations as well. We would get into some
really interesting arguments regarding policy and politics in general. We really didn’t agree on a lot but he was an
amazing professor; never trying to indoctrinate as so many do in academia these
days. He was a bona fide Renaissance
Man. He wrote a novel, The Visitor, a crazy psychological horror
about a man who becomes obsessed with a rodent that has overrun his upscale New
York brownstone. His novel was later
turned into a film starring Peter Weller, Robocop himself. Hey don’t laugh; I’m pretty sure there aren’t
many of us that can boast that on our resumes.
But Mr. Parker in his best Northeastern, Hyannis Port, Bostonian voice,
explained to me the amazing talent that was Robert Frost.
Robert Frost is one of America’s most popular and storied
poets of the 20th century.
His works have been studied over by students and scholars alike. Some of his classic works include The Pasture
(1913), Mountain Interval (1916) and the beginnings of New Hampshire: A poem
with Notes and Grace Notes (1923), which contained “Fire and Ice”, and my
favorite, “Stopping by Woods on a Snowy Evening”, his masterwork. It was that poem which reminded me of why I’m
a Met fan. I know what you’re thinking, how
in God’s name does a Frost poem translate into something relatable to a Met
fan? Well first off here’s the poem:
Stopping By
Woods on a Snowy Evening
Whose woods these are
I think I know.
His house is in the village though;
He will not see me stopping here
To watch his woods fill up with snow.
My little horse must think it queer
To stop without a farmhouse near
Between the woods and frozen lake
The darkest evening of the year.
He gives his harness bells a shake
To ask if there is some mistake.
The only other sound's the sweep
Of easy wind and downy flake.
The woods are lovely, dark and deep.
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.
His house is in the village though;
He will not see me stopping here
To watch his woods fill up with snow.
My little horse must think it queer
To stop without a farmhouse near
Between the woods and frozen lake
The darkest evening of the year.
He gives his harness bells a shake
To ask if there is some mistake.
The only other sound's the sweep
Of easy wind and downy flake.
The woods are lovely, dark and deep.
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.
Frost wrote this poem supposedly in an evening sitting and during
a time of great personal frustration—something Met fans can easily sympathize
with. Practically our entire history has
been wrought with frustration on some level.
Like all poetry, it’s subject to one’s own interpretation; Frost’s Snowy Evening is no exception. The woods, to some, describe the edge of
civilization. To me the Met fan it
describes the team. They are equally
irrational and yet garner consistent support.
It’s those qualities that attract us as fans and what attracts readers
to the woods. They are restful,
seductive, lovely and dark…like oblivion.
Also like our team, at times. The
woods can represent madness, the looming irrational and of course also
beauty.
The owner of the woods (us and not Wilpon) –lives in this
village – and travels there on the darkest day of the year. Perhaps this an alliteration of how we’ve
stuck by this team even during their most dire and desperate times? It’s the basic conflict in the poem, which is
resolved in the last stanza. What
attracts us to the woods and what force (responsibility, frustration, and
exacerbation?) pushes us away from the woods occasionally? This is the division between the village (the
fans) and the woods (the Mets). It’s not
as if the woods are particularly frightening or wicked, yet they still posses
the seeds of the irrational, just waiting to prey on our emotions.
The woods, as much as it draws us in, consistently finds
ways to repel us, drawing us away.
“Society” in baseball terms could be translated into “the experts” –always
pointing out the negative and condemning us from staying here in the dark, in
the snow—why would we care for such a flawed team? With the last two lines, “And miles to go
before I sleep” being repeated. Is it a
forewarning? Are we masochists for this
team of ours; do we have some sort of death wish? Or do we take it as Frost did that he had
many good years of poetry still left in him and that we still have many more
years of torture…I mean love for our team?
Damn, poetry can be annoying.
Unlike the majority who see the darkness in this poem, I take
the positive from it. I don’t try to
dwell on the flaws this team of ours have.
We know it as well as a geneticist knows what composes DNA. The Mets are in our DNA, it’s who we are, for
better or worse and as long as there’s a hope for the future –and there almost
always is even in our team’s darkest days—we stand true. We argue we root, we hem and haw. We sometimes take it too far and retract,
remembering our roots. But we come. Every Spring, we come.
Somewhere, I hope Chauncey G. Parker III Is smiling. Smiling that I’m willingly passing down to a
new generation – a new set of tortures—and enjoying every bit of it.